Nothing prepares you for the direction he takes on his latest effort — Loseyi Professor.

Words by Clarence Macebong

(LAGOS, NIGERIA – JULY 18, 2024) Seyi Vibez’s discography was already decorated with high-octane records and soulful serenades, but nothing prepares you for the direction he takes with his latest effort, Loseyi Professor. seemingly sounding like he’s shed the eagerness to make a solid impression and donned a cloak of mastery, ready to guide us through another layer of his artistry. Loseyi is present in all seven tracks, six of which were produced by Dibs, a leading figure among the new generation of Afrobeats producers and one of Loseyi’s frequent collaborators. Professor is an apt depiction of an artist who combines age-old wisdom with elements of the modern world, never straying from speaking his truth.

Sonically, Professor possesses variations of a soulful sound that comes with bursts of energy. While “Albert Einstein” comes from a long line of records reminiscent of his captivating Billion Dollar Baby era.

“Lagos” chronicles a sad tale of passion and adultery that has become synonymous with the hedonistic life associated with the Center of Excellence. Each record comes with its own distinct feeling and texture, whereas “Abu Dhabi” sets an intoxicating airy, lo-fi frequency that transports you to the deepest parts of your psyche. Loseyi litters his records with anecdotes of life delivered like a man with street smarts, which has become typical of his songwriting.

The final result of Professor is an alchemy of the best parts of Loseyi. He doesn’t convolute records with an expanse of lyrics, picking his moments while letting the production leave its impression on you. Delicate in certain areas and intense in others, Professor holds a little gift for everyone. 

What Professor highlights the most about Seyi Vibez is that he’s more than what anyone ever thought he was. It’s more than just his musical range; there’s a distinct touch that comes with his art. He is the art, and the rate at which he shifts shape makes it feel like we’re witnessing a motion picture. And for this movie, the end is worth staying for the credits.

# # #

Credits

Photographed by Solidad Nwakibu

Additional Edits by Matthew Grand and David Ogbuike

Produced by IkennasOffice